

Don’t get me wrong, I fucking love this song, but at the time of the release, it seemed to be playing everywhere – even in the fucking States. Then we have the over-played, over-loved “ballad” in the form of “The Garden’s Tale”. The opener is just the beginning of a kickass journey about to ensue with the second track continuing the story of the sad tragedy of Danny and Lucy (see the debut for part one), with a nasty twist that continues on the Guitar Gangsters and Cadillac Blood album. Right away we get rolling with the awesome “Human Instrument”, a song that any metal fan with a boner for Elvis Presley would die for (not to mention the re-boner that comes later in the straight-up Presleyian worship of “You or Them”).

When asked by a friend, what the band sounds like, this is still the album I give to them a perfect representation of all there was at the time and all that is to come of this great band.


While the debut lays out the foundation of their style, Rock the Rebel/Metal the Devil stretches a little further and then solidifies the sound. However, if there is an album to own of Volbeat’s – even after the release of three more albums beyond this one – Rock the Rebel/Metal the Devil is the one. This was one of them for me, and what a gem it is.Īs previously stated on my review for Volbeat’s debut, I love that album. There are a handful of albums that you just look at and buy off the shelf, not knowing exactly what the outcome may be, but you follow your bands and you follow your gut. Between the love I have for the not-so-popular, not-always-so-good Dominus (the death metal band of vocalist/guitarist/songwriter Michael Poulsen), the awesomeness of using the title of perhaps Dominus’s best album – Volbeat – as a band name, and the sick Rock the Rebel/Metal the Devil album artwork of sparks flying off the vinyl, I expected immediate greatness. The first album I ever bought from this Denmark quartet was their album, Rock the Rebel/Metal the Devil.
